Its kind of about how you grow up and curiosityespecially curiosity about systems and societal functionsis not welcomed. and come away with a pretty fair understanding of the film. And its here that the film matures into a weirdly sorrowful look at what our world does to teenagers, at the exceptionalism peddled to them without any sense of what they are exceptional from, and how much more likely it is, when you deal in the currency of exclusivity, that you will end up among the excluded. A puzzling but artful look at teenage alienation. Now, as a memory growing more distant every day, all thats left is the dreamlike impressions of these places Ive loved so much and then abandoned. However, this thread would be disingenuous if I did not say that I identified so strongly with Hank. The second half is darker and lonelier, following those left behind, especially Haley (Haley Bodell), who ran from the diner when her humiliation became too great and is now, like all her fellow rejects, apparently condemned never to escape this world of duck ponds, wisteria-draped driveways, and doorbells that are never answered. Where Kaufman jams his long sweeping camera shots and claustrophobic car journey with anxious forced repartee, Taormina pushes his lens uncomfortably close for extended runs with little dialogue. His father was a mean-mouthed man who never showed his son any love or compassion. Cinematic didacticism has given way to filmmakers content to raise questions they wont or cant answer. Without giving away too much, lets say the rest of the plot recalls the great Shirley Jackson story The Lottery. But theres no overt horror element, or violence, here. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Written in the first person, the novel follows Henry Chinaski, Bukowski's thinly veiled alter ego, during his early years. Afterwards, you get a sense of the sadness and defeat of the people who are left behind. Ham on Rye isn't a film about buried secrets. special is how dutifully it avoids the lack of depth that usually accompanies utilizing deliberately generic settings. Football is difficult for him, but he enjoys the violence that comes with it. Though Haleys one of the prettier girls here and has no apparent social shortcomings, shes still unchosen as the room empties out. There's a girl called Haley who features more than most of the other characters, but mostly it just shows all the different kids. But now, you see her curiosity throughout the first act of Ham on Rye, and what does it give her? His young people reveal themselves in their dress and facial expressions. All the dread and the emptiness is what comes up after the big Montys scene, when day turns to night, and when most of Ham on Ryes first-half cast disappears from the picture. His writing skills make it empowering. works to give young adulthood some of its ceremony back. Weird story about a boy's difficult childhood and rise to maturity in the 1920s. Its a day were going to remember for the rest of our lives, says the opening dialogue, and the generic phrasing blurs certain lines to build upon the very particular biorhythmic point where Taorminas movie takes place: A kid who says that might be talking about their prom, or about having sex, or about moving out, or maybe even about school graduation, among other possibilitiesbut no matter what, theyre probably talking about something meant to happen in the period that weve come to calling the teenage years. Ham on Rye Review: Coming of Age, With Existential Unease, https://www.nytimes.com/2020/10/22/movies/ham-on-rye-review.html, From left, Haley Bodell, Gabriella Herrera and Audrey Boos in Ham on Rye.. Henry agrees to teach little kid how to play a game and by the end of it he just walks out. Well come to identify most with Haley (Haley Bodell), a mild-mannered girl who, like her two friends (Audrey Boos and Gabriella Herrara), is more dressed for a conventional school dance than most attendees. Carson Lunds superb cinematography, apparently influenced by photographers like William Eggleston and Stephen Shore, picks out boys riding skateboards, borrowing Dads Volvo, and talking about the crucial importance of boning, like its a philosophy, like theyre the first ones ever to have had so original a thought. [1] Scenes outside of Los Angeles show Chinaski as an intruder, as with an early scene where he and his family are chased out of an orange grove. Both Ham on Rye and Im Thinking of Ending Things deal with the tensions of young Americas uncertain future. Taormina sets us in suburban America, among high school students, walking through a social ritual of conversation, dance, and food at a local deli. 49 pages of chapter summaries, quotes, character analysis, themes, and more - everything you need to sharpen your knowledge of Ham on Rye. Boys and girls start pairing up as if they were choosing teammates for a kickball game, and not everybody is picked. Same goes for something that Taormina said to AwardsDaily in early 2019, which seems way too key not to reproduce here: The script was born through that feeling of nervous confrontation to [rituals] and then it bloomed into What happens to those who dont get selected?, he said back then. But in the bazillion short stories and poems and recorded interviews, you do eventually start to hear some of the same stories again. In this case, the transgression is, oddly enough, staying at home with your familyand its definitely not a cool one. But things like that were very important [to me]. Like a hoagie sandwich filled with meat and lettuce, thats a quintessential American suburban item.. But what other shorthand would you use for this strange, atmospheric work, which is 100 percentnot a comedy but does share a spiritual connection refracted through art-film aesthetics and anomie with the aforementioned landmarks? So not only do we shoot La Caada as the stand-in for our kind of upper middle-class neighborhood, but we also shoot in the deeper parts of the Valley more north, like Sylmar, where it [suggests a different class]., Yeah, Sylmar was more the latter half of the film, feeling all the dread and the emptiness, continued Broyles. 1985. As Lund has written about himself in an indispensable piece for Filmmaker Magazine headlinedOver 100 Cast Members and No Permits: How I Shot Ham on Rye in Los Angeles, the films faceless neighborhood locations were stolen from various spots across that cityso for example Ham on Ryes semi-decontextualized meeting spot Montys is in real life actually Berges, a deli in the La Caada Flintridge area of Los Angeles County. The vista of the road was super important, or houses that were pushed far back from the curb, said Taormina. He achieves a number of other startling effects in this impressive movie, which sheds its naturalism slowly as it embraces a surrealism thats both disquieting and poignant. Bukowski keeps his descriptions of his hometown grounded in reality, paying more attention to the people that make up Los Angeles than to the city itself. This article is licensed under the GNU Free Documentation License. Brewer, Gay. Which have a bit of psychedelia to them, and that gauzy look. We didnt want anything to seem like it was supposed to speak to some general moral or lesson, [but to] just let the mood and the vibe point in those directions instead we couldve very easily ruined the film with just a few lines of dialogue, I think, and Eric was very commandeering about us not doing that.. This deliberately coy prologue begets the opening credits sequence (introducing characters with more close-ups of little details, like a tie being fastened or a nail being painted), which then feeds directly into the films real first section, where for about 20 minutes small cliques of seemingly high school-aged kids walk through various neighborhoods on their way to an unspoken happening. Chinaski has been compared to both Frankenstein's monster and Kafka's Gregor Samsa, because of his alienation and outcast resulting from his "monstrous" appearance. Twayne Publishers, New York, 1997. p. 40, 41. Fontana, Ernest. Now, as a memory growing more distant every day, all thats left is the dreamlike impressions of these places Ive loved so much and then abandoned. But part of what makes Ham on Rye special is how dutifully it avoids the lack of depth that usually accompanies utilizing deliberately generic settings. He attended Los Angeles City College from 1939 to 1941, then left school and moved to New York City to become a writer. Whats established instead are countless signifiers of a semi-contemporary American upbringing: from overarching universal stuff like scenes of characters preparing for something like a prom (three girls in frilly dresses being photographed by their overexcited parents, see above), and then carpooling there (the parents now waving at the door like the first day of school, another ceremony) to smaller details seen in briefer shots like the decor of a longhair musicians car (beads on the rear view, bandana on the passenger seat), or a particularly rebellious-looking kid scraping a stick against a fence (which in this context cant help but recall Tom Sawyer, ur-text of the American coming-of-age storya narrative lineage that Ham on Rye is of course very much bound up in). So, its not cute anymore, was the realization I made about her character.. Nothing but alienation. Ham on Rye makes no such assurances which of course makes it more honest, even if its oblique lessons will be heard by a tiny, tiny fraction of the number who navigated adolescence by the. Were not told when the film is taking place, or where the film is taking place, or even whats the deal with this big local event all the kids are moving towards. The novel focuses on the protagonist, Henry Chinaski, between the years of 1920 and 1941. But with all these signifiers, as well as the title, which sends us back to Charles Bukowskis coming-of-age memoir of the same name, which itself refers to The Catcher in the Rye, pretty soon the references multiply to the point you have to give in and call Ham on Rye its own, pretty unique thing. Detail fetishism, he begins, before starting a new thought. just finished ham on rye and was curious to hear some analysis/opinion on the abrupt ending with hank playing . Henry agrees to teach little kid how to play a game and by the end of it he just walks out. Dilbert is gone from Americas comics pages: Creator Scott Adams is The Lifespan of a Fact explores the world of true-ish journalism, The Rosenberg Case: A play reading, one night only, Congress punts decision on draft registration into 2022 or 2023. 5 (3): 6. The rest of the movie wanders among townsfolk later that night, fixing our gaze on empty strip malls and loose social gatherings. The girls talk about fashion and popularity. 5 (3): 5, Fontana, Ernest. And thats the beauty of LA: theres so many different landscapes to choose from you go two hours outside LA in any direction, and [you can find] anything., Which also helped because we were looking for a sense of the economic differences in the town, added Lund. The 1960s were about pushing boundaries and breaking societal rules to make a strive towards enjoyment and the American dream. To most patient eyes, it will look like a gentle ode to those who seemed part of the crowd in high school, then simply didnt transform into the kind of adults their peers chose to be. She was 12, and now shes 18 going on 19 The fun little tidbit I like to say about working with her on these projects is that I only realized during the rehearsals, which was a months-long process, that the character of Haley in, is actually the same character as Poll Flowerpot from, , her curiosity always brings her closer to other peoplethats what her youth afforded to her. I doubt if it would be published in modern times (first published in 1982). Sad. Chinaski has been compared to both Frankenstein's monster and Kafka's Gregor Samsa, because of his alienation and outcast resulting from his "monstrous" appearance. One also notices that while before the dialogue was ambiguously foreshadowing, now its ambiguously looking backwards (the way Lund put it is, in the second half the dialogue becomes more textural than expository.) And this all leads to a backyard cookout populated by a large group including some faces at least vaguely familiar to viewers of the millennial demographic: Lori Beth Denberg of, (1994-98), Danny Tamberelli and Aaron Schwartz of, The one character that carries over from the pre-ceremony segments to the post- is Haley, played by the same Haley Bodell of, , whose only acting credits to date are for Taormina. A longtime film critic for Slant Magazine among other publications, he began writing reviews for our paper earlier this summerthough I first met him long before that, in 2014, when we had a conversation at the Harvard Film Archive regarding the films of director Wojciech J. if you want to talk Nietzsche, bukowski always reminds me of Nietzsche's passages on the morality of ressentiment/resentment. She is, in fact, a victim of her husband's brutality as well. Ham on Rye can be taken as an allegory for middle-class suburban life in America, but its got added value as a potent mood piece, accomplished with a bare minimum of means. The unease is existential, as the fates of some of the couples make clear. . Reaktion Books, London, 2012. p. 146. and I read PO, HOR, Women in that order, personally, just because I found PO first. No. Distributor: Factory 25 'Ham on Rye.' | Factory 25 Director Charlie Kaufman ( Eternal Sunshine of the Spotless Mind) ratchets up American gothic to psychological horror as he distorts time, place and relationships,. 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Like a hoagie sandwich filled with meat and lettuce, thats a quintessential American suburban item., Over 100 Cast Members and No Permits: How I Shot, in Los Angeles, the films faceless neighborhood locations were stolen from various spots across that cityso for example. I was able to participate in a group reading of that last work quite recently and found it, somewhat predictably, to be exceptionally pictorial in natureeven on the page. Michael Berkowitz, a veteran of the civil rights and anti-war movements, has been Land Use Planning Consultant to the government of China for many years. For example, Henry's parents, like Bukowski's, had met in Germany after World War I. So now when I read. Nothing but alienation. Costume designer: Niki Firanek Transgression becomes even more unfathomable when an entire global generation seems to share the same path in gentrifying the cities, Taormina wrote for an interview published by Film Comment (also suggesting one of his films many productive contradictionsthat its a lament for the loss of a suburban experience produced almost exclusively in urban spaces). Charles Bukowski. Like a spectre left haunting the grounds after her fellows have moved on, the Haley character spends the second half of Ham on Rye in emptied-out spaces like bedrooms and street curbs, completing the articulation of a metatextual idea first initiated by those kids-television cameosthe image of the child stars left behind. The next negative influence that Henry faces is from his mother since she is never really there for him and has no real connection with Henry other than being her offspring. So of all the quotes we could end on Im most partial to one that centers the unconscious, just like the film itself. She is, in fact, a victim of her husband's brutality as well. Editor: Kevin Anton But it quickly morphs into a different sort of anticipation, the distinctly pleasurable dread of the wholly unfamiliar, or rather, the deeply uncanny, the thing that looks so much like life that all you can see are the ways it is not at all lifelike. First time director Tyler Taorminas landscape in Ham on Rye (85 minutes) is both smaller and larger than Kaufmans Im Thinking of Ending Things. That was very hard to find. , Taormina said. Original Language: English. But I am really interested in seeing how these objects flow from person to person, and then get cast out into space.. I was like, this is going to be fun to shootits like shooting a bunch of still lifes, he continued. She flees. is what comes up after the big Montys scene, when day turns to night, and when most of, s first-half cast disappears from the picture. The reader eventually follows Chinaski to college and reads of Henry's attempt to find a worthwhile occupation. It became about the suburbs I grew up in, and those teenagers left when college began and they didnt come back and a whole generation of teenagers disappeared and who was left? Carson Lund's superb cinematography, apparently influenced by photographers like William Eggleston and Stephen Shore, picks out boys riding skateboards, borrowing Dad's Volvo, and talking about the crucial [] Calonne, David Stephen. Ham on Rye opened at the Brattle Theatres Virtual Cinema on October 23, where it remains available to rent now. Though of course Taormina can pull the episodes whenever he wants, or Youtube or Vimeo could take them down for any reason including none whatsoever, and then theyd be left to a small handful of hard drives, at most, where a random crash might erase them on any given sunday. Were not told when the film is taking place, or where the film is taking place, or even whats the deal with this big local event all the kids are moving towards. Running time: 1 hour 25 minutes. Its depiction of the American Suburbs feels less like a screenwriters nostalgia trick and more like the visual translation of a genuinely mental image, rich with detail and specificity. As a prequel to Bukowski's previous novels, Ham on Rye depicts the origin and development of many of the reoccurring themes of his work as well as the persona of Henry Chinaski. Like his previous autobiographical novels, Ham on Rye centers on the life of Henry Chinaski, this time during his childhood and teenage years. Like his previous works, Ham on Rye is set in Los Angeles where the author grew up. Henry is not athletic but wants to be and therefore tries hard to improve. Chinaski relates that he has an abusive father, and his mother does nothing to stop his father's abuse. Does Massachusetts Underestimate Its Greenhouse Gas Emissions? "Let the boy play the piano," said my grandmother. Boston Celtics well represented at 2023 NBA All-Star game. "That boy," said my grandmother, "when I tried to pick him up out of So sometimes the film is Dazed and Confused via Picnic at Hanging Rock, sometimes it is Carrie via Superbad and sometimes, as in a shot of a flowering hedgerow seething with chirruping crickets, it is absolutely Blue Velvet overtly acknowledging that you cant really do suburban surreal without begging the Lynch comparison. has successfully conjured up a cinematic space where all those aforementioned experiences have been quite purposefully blended together, forming a sunlit anxiety dream of a generic suburban upbringing. My mother smiled. Are we here alone? Ham on Rye is a captivating story that makes you attached to the book all the way to the end. The mood is now fairly forlorn, best embodied by Sloan (Cole Devine), a 20-something cook at Montys whos mourning some kind of loss. Werent most of us? Haley (Haley Bodell), the closest the film has to a protagonist, flees the deli ceremony, casting herself off as Amy Irving's character was cast off in Carrie. "Ham on Rye" was shot in and around the San Fernando Valley area, north of Los Angeles, a favorite of Paul Thomas Anderson, and the film's DP Carson Lund effectively evokes that neighborhood's. The farmhouse seems to change shape, furnishings and configuration. Cookie policy. With his first feature, the director and co-writer Tyler Taormina delivers something at first familiar and then increasingly but never ostentatiously strange. Bukowski's Ham on Rye and the Los Angeles Novel. My writing partner Eric Berger was very, very keen on being as cryptic and removed as possible from mentioning what is essentially the basic premise of the film, explained Taormina, whos from Long Island and based in Los Angeles, during a zoom call that also included the films producer/first assistant director David Croley Broyles and its cinematographer Carson Lund. Watch through virtual cinemas. Written in Bukowski's characteristically straightforward prose, the novel tells of his coming-of-age in Los Angeles during the Great Depression. The reader eventually follows Chinaski to college and reads of Henry's attempt to find a worthwhile occupation. A few clumps of friends are slowly making their way to the nights festivities (why are they practically all on foot? By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. Of course the same is true of books, films, and everything gathered under the sunit all goes eventually. Bukowski's Ham on Rye and the Los Angeles Novel. About to read Post office next. 1985. And so by the time it reaches the mythic ceremony that occurs near its halfway point, Ham on Rye has successfully conjured up a cinematic space where all those aforementioned experiences have been quite purposefully blended together, forming a sunlit anxiety dream of a generic suburban upbringing. To filmmakers content to raise questions they wont or cant answer book all the way to filmmakers to. Violence that comes with it comes with it is how dutifully it avoids the lack of that. Captivating story that makes you attached to the end of it he just walks.. I did not say that I identified so strongly with Hank playing Ham on and... 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